PROJECTS

Bower birds build impressive ornate structures. We ran a public experiment with Dr. Laura Kelley to try to replicate these, and built explorable Virtual Reality bowers. Funded by the Royal Society.

New approach for placing science researchers with their local councils, to help provide evidence for better decision making. Piloted and co-designed with cross-party councillors and researchers.

(Afro|Algo)futures is a mentoring programme for early career Black artists who want to explore the creative potential of live coding.

Bespoke survey to look at the feasibility of encouraging farmers to view wasps as natural biocontrol agents for major crop pests.

A system to make it easier for farmers to grow and monitor multi-species swards for more sustainable farming, increasing pollinator diversity, improving soil, and resulting in healthier livestock and less veterinary medication.

[The] AlgoMech Festival of Algorithmic and Mechanical movement celebrates a future that is not just about using new technologies to make music, but to unmake it. It’s all about getting into the guts of how music is made, showing code running in real time, taking machines and systems apart to show their workings, and opening up technologies to alternative uses.” - Wire Magazine

The 2019 Invisible Worlds Residency was open to all artists, scientists, creators and makers, to explore phenomena beyond our senses: too vast, too small, too fast, too slow or too far away in space or time.

Viruscraft is a research project combining tangible interfaces, craft and computer games to explore how viruses jump from one host species to another, working with Dr. Ben Longdon.

The Clearwing Butterfly game is a citizen science experiment we developed with Mónica Arias, Doris Gomez and Marianne Elias at the Centre d’Ecologie Fonctionnelle et Evolutive (CEFE) and Institut de l’information scientifique et technique in France.

Together with Prof Matthew Higgins (university of Oxford), we developed two minigames about malaria mitigation for installations at the Royal Society Summer Exhibition 2018.