Antonio Roberts is an artist and curator based in Birmingham, UK, working primarily with video, code, and sound. He is critically engaged with the themes surrounding network culture and in his practice explores how technology continues to shape ideas of creation, ownership, and authorship. As a performing visual artist and musician he utilises live coding techniques to demystify technology and reveal its design decisions, limitations, and creative potential. His work has been featured at galleries and festivals including databit.me (2012), Furtherfield (2013, 2019), Tate Britain (2014, 2015, 2020), Ukrainian Institute of Modern Art in Chicago (2014),Birmingham Open Media (2015-2016), Jerwood Arts (2016), Whitney Museum of American Art (2017), Green Man Festival (2017), Barbican (2018), Victoria and Albert Museum (2019), and the Czurles Nelson Gallery (2019). He has curated exhibitions and projects including GLI.TC/H Birmingham (2011), Bring Your Own Beamer (2012, 2013), Stealth (2015), No Copyright Infringement Intended (2017), Copy Paste (2020), and Rules of Engagement (2020). He is part of a-n’s Artist Council, is an Artist Advisor for Jerwood Arts and from 2014 – 2019 he was Curator at Vivid Projects where he produced the Black Hole Club artist development programme.